archetypal criticism in othello

(2023). Desdemona and Othello, therefore, face the usual challenges of the lovers in a Shakespearean comedy who must contend with the forces of authority, custom, and circumstances allied against their union. "Othello is essentially an noble character, flawed by insecurity and a nature that is naive and unsophisticated". A few names form a core of writers in English (including many Canadians)Martin Bickman, Albert Gelpi, Elliott Gose, Evelyn Hinz, Henry Murray, Barton L. St. Armand, Harold Schechter, and William Stein though no single figure has attracted the attention of academic literary specialists, and no persistent commonalities fuse into a recognizable school critics who draw on Jungs theories. First Cassio lands to deliver the news of Othellos marriage and, like the best man, supplies glowing praise for the groom and his bride; next Desdemona, accompanied by Iago and his wife, Emilia, enters but must await news of the fate of Othellos ship. Thus, all contrastive categorization would benefit from archetypal analysis. norwegian cruise line dining menus archetypal criticism in othello. According to Aristotle, a tragic protagonist is a nobleman or person from high status, who contributes to his own demise and illustrates a flaw or weakness in judgment. The present essay, "Archetypes of Literature," is taken from the book. However, as the play progresses, jealousy clamps down his mind, and his decisions are colored with jealousy that Desdemona is betraying him, leading him to kill her and take his own life. This book established the priority of interest in the archetypal over the mythological. Archetypal theory then took shape principally in the multidisciplinary journal refounded by Hillman in 1970 in Zurich, Spring: An Annual of Archetypal Psychology and Jungian Thought. In Shakespeare?s play Othello, Othello himself is the tragic hero. However, the Moor and Alfiero join forces to kill Disdemona, beating her to death with a stocking filled with sand before pulling down the ceiling on her dead body to conceal the crime as an accident. Two publishing events at the beginning of the 1990s in the United States may signal the coming of age of this kind of archetypal criticism through its convergence with postmodern critical thought, along with a commensurate insistence on its roots in the depth psychology of Jung: the reissue of Morris Philipsons 1963 Outline of a Jungian Aesthetic and the appearance of Karin Barnaby and Pellegrino DAcerinos multidisciplinary, multicultural collection of essays, C. G. Jung and the Humanities: Toward a Hermeneutics of Culture. Nothing extenuate, Archetypal criticism, then, construed as that derived from Jung's theory and practice of archetypal (analytical) psychology, is a fledgling and much misconstrued field of inquiry with significant but still unrealized potential for the study of literature and of aesthetics in general. William Shakespeare, born in the year 1564, is often considered to be one of the greatest, if not the greatest, writer in the English language. Archetypal criticism is a product of both cultural anthropology and psychoanalysis which are academic fields that might seem to be far from the concept of archetypal criticism. Othello, being a hero, enjoys a good reputation and has notable qualities. The patterns are the major intrinsic aspects of a work. The essays in our library are intended to serve as content examples to inspire you as you write your own essay. Macbeth) in the essay title portion of your citation. Feminist Critique of the Character Desdemona in Othello Introduction Women during Elizabethan age are assumed to have spent their lives in the service of men - prearranged marriages, child rearing, and their role as sexual objects. Shakespeare shifts the action from Venice to Cyprus. Kibin, 2023, www.kibin.com/essay-examples/an-archetype-criticism-of-othello-a-play-by-william-shakespeare-yJF4zltX. Learn what works (and what doesn't) from the reader's perspective. This last text explicitly named the movement and demonstrated its appropriation of archetypal theory for feminist ends in aesthetics, analysis, art, and religion, as well as in literature. Other forms previously labeled Jungian are here subsumed under the term archetypal because whatever their immediate specific focus, these forms operate on a set of assumptions derived from Jung and accept the depth-psychological structure posited by Jung. Evil is displayed before him, not indeed with the profusion found in King Lear, but forming, as it were, the soul of a single character, and united with an intellectual superiority so great that he watches its advance fascinated and appalled. He seems to breathe an atmosphere as fateful as that of King Lear, but more confined and oppressive, the darkness not of night but of a close-shut murderous room. What is a tragic hero and why is Othello considered one? Myth criticism grew in part as a reaction to the formalism of New Criticism, while archetypal criticism based on Jung was never linked with any academic tradition and remained organically bound to its roots in depth psychology: the individual and collective psyche, dreams, and the analytic process. Literary Archetypes The Legend of Sleepy Hollow The Loved One The Magus The Making of Americans The Man in the High Castle The Mayor of Casterbridge The Member of the Wedding The Metamorphosis The Natural The Plague The Plot Against America The Portrait of a Lady The Power of Sympathy The Red Badge of Courage The Road The Road from Coorain Ignoring her appeals for mercy and avowals of innocence, Othello smothers her moments before Emilia arrives with the proof of Desdemonas innocence and Iagos villainy. While acknowledging the grave weaknesses of much Jungian writing on literature as unsubtle and rigid application of preconceived psychological notions and schemes resulting in particularly ill-judged or distorted readings, van Meurs still finds that sensitively, flexibly and cautiously used, Jungian psychological theory may stimulate illuminating literary interpretations (14-15). Othello is a train wreck that the audience horrifyingly witnesses, helpless to prevent or look away. And let the labouring barque climb hills of seas To you I am bound for life and education; However, for Othello this is not the case. After the. As the handkercheif is stolen from Desdemona, Othello believes that she has become unfaithful to him, which leads him down a jealous path and eventually kill her. Frye's thesis in "The Archetypes of Literature" remains largely unchanged in Anatomy of Criticism. As hells from heaven. That Cassios not alive. . what is wrong with franklin baby on tiktok. Categories: Drama Criticism, ELIZABEHAN POETRY AND PROSE, Literary Criticism, Literature, Tags: Analysis Of William Shakespeares Othello, Bibliography Of William Shakespeares Othello, Character Study Of William Shakespeares Othello, Criticism Of William Shakespeares Othello, Drama Criticism, Essays Of William Shakespeares Othello, Notes Of William Shakespeares Othello, Othello, Othello Analysis, Othello Criticism, Othello Essay, Othello Feminism, Othello Notes, Othello Play, Othello PSychoanalysis, Othello Summary, Plot Of William Shakespeares Othello, Simple Analysis Of William Shakespeares Othello, Study Guides Of William Shakespeares Othello, Summary Of William Shakespeares Othello, Synopsis Of William Shakespeares Othello, Themes Of William Shakespeares Othello, William Shakespeare, William Shakespeares Othello, Analysis of William Shakespeares Macbeth, Analysis of William Shakespeares Romeo and Juliet, Analysis Of William Shakespeares Othello, Bibliography Of William Shakespeares Othello, Character Study Of William Shakespeares Othello, Criticism Of William Shakespeares Othello, Simple Analysis Of William Shakespeares Othello, Study Guides Of William Shakespeares Othello, Synopsis Of William Shakespeares Othello, Analysis of Stuart Halls Encoding/Decoding, Jacques Derrida's Structure, Sign and Play. Othello is decisive, confident, and secure in his identity, duty, and place in the world. To date, the British Journal of Analytical Psychology and the retitled American Spring: A Journal of Archetype and Culture are the best resources for archetypal criticism of literature and the arts even though only a small percentage of their published articles treat such topics. 364-367). An archetype is the original pattern or . When he realizes the grave mistake he had made by taking an honest Desdemona's life he can no longer live with himself. The contrast is most pronounced from the beginning of the play to its conclusion, switching from being calm and peaceful to acts of uncontrolled venomous rage. The traits of the tragic hero lead the audience to feel compassion for the helpless victim. The critic is at the center of interpretive activity, and the critic functions as teacher, interpreter, priest, seer. In his major work, The Anatomy of Criticism, he states: 'I mean by an archetype a symbol which connects one poem with another and thereby helps to unify and integrate our . And concomitantly, on which of these levels was the reader affected? But Jung's theory of the archetypes of the collective unconscious differs . Written in 2001, this piece of British metafiction tells a brilliant story of love, war, mistakes, forgiveness, and, of course, atonement. And the 1980s saw a new, suggestive, and controversial direction in archetypal studies of literature: the feminist. Seeing her dying, Emilia asks who would do this. Archetypal Criticism Archetypal theory and criticism, although often used synonymously with Myth theory and crticism, has a distinct history and process. Frye, however, notably in Anatomy of Criticism, essentially redefined and relocated archetype on grounds that would remove him unequivocally from the ranks of Jungian critics by severing the connection between archetype and depth psychology: This emphasis on impersonal content has been developed by Jung and his school, where the communicability of archetypes is accounted for by a theory of a collective unconsciousan unnecessary hypothesis in literary criticism, so far as I can judge (m-12). In his "The . 1924) to move beyond clinical inquiry within the consulting room of psychotherapy to formulate archetypal theory as a multidisciplinary field (Archetypal 1). must concern itself with the archetypal, the universal, with that which is necessarily larger, more extreme than in life. Northrop Frye has been the most influential of those critics who have argued that archetypal patterns underlie the modes, plots and genres of literary works. His final speech mixes together the acknowledgment of what he was and what he has become, who he is and how he would like to be remembered: I have done the state some service, and they knowt. In the essay Frye critically analyses literature against the backdrop of rituals and myths. His works range from ingenious poems, such as Fear No More, to plays, such as The Tragedy of Othello. O my souls joy, "Othello is like a hero of the ancient world in that he is not a man like us, but a man recognized as extraordinary". He notes that Singers Unholy Bible: A Psychological Interpretation of William Blake (1970), though oversimplified in its psychobiographical approach and its treatment of characters as psychological projections of the author, does make original use in a literary context of such Jungian techniques of dream interpretation as amplification and of such fantasy-evoking procedures as active imagination.. archetypal criticism in othello america undercover life of crime Juni 12, 2022. used kawai upright piano . BASIC PREMISES OF ARCHETYPAL THEORY: 1. After confronting Desdemona of her crimes he decides to carry out his overall plan to end his trues loves life. The scene crowns love triumphant. The play moves relentlessly from here to catastrophe as Othello delivers justice to those he is convinced have wronged him. Misled by the handkerchief, his love token to Desdemona, that Iago has planted in Cassios room and by a partially overheard conversation between Iago and Cassio, Othello, by the end of act 3, forsakes his wife and engages himself in a perverse version of the marriage ceremony of act 2 to Iago. Further, the text offered confirmation (and poetic representation) of the only direct contribution Jung made to literary theory: a distinction between psychological and visionary texts (Collected 15:89-90).